Prince George joined Princess Catherine, King Charles III and Queen Camilla at the Festival of Remembrance at the Royal Albert Hall, which was his first attendance at the annual commemoration. The festival is one of the most formal and historically significant events on the royal calendar, and his presence placed him directly within that tradition. The focus of the evening remained on honouring the service and sacrifice of members of the armed forces, but George’s appearance served as a quiet introduction to the responsibilities that lie ahead for him.

Princess Catherine – Instagram

George was seated beside his mother in the royal box. He wore a black suit, striped tie and a single red poppy, in line with the formal tone of the evening. Catherine wore a fitted black dress and pearl-and-diamond earrings that previously belonged to Queen Elizabeth II, a choice that linked her appearance to the late monarch and signalled continuity rather than personal sentiment. King Charles and Queen Camilla sat nearby, following the established seating arrangement for the event.

Princess Catherine – Instagram

Prince William was absent due to overseas commitments related to the Earthshot Prize, which meant George’s presence carried more notice than it might have otherwise. What mattered here was not prominence but proximity. He was present among senior members of the family and observed how they undertake the occasion. He was not expected to interact, perform or take part in the programme. His role was to observe, and the approach being taken with him is measured and designed to build familiarity rather than visibility.

Princess Catherine – Instagram

This year’s festival formed part of the 80th-anniversary reflections on the end of the Second World War, giving the evening additional historical weight. For the monarchy, national remembrance is not simply ceremonial. It is one of the central public duties of the institution. Including George at this moment ties the event’s past and present to the future role he will one day inherit.

Seen plainly, this appearance was a deliberate step, not a showcase. He was there to understand the tone and expectations attached to national remembrance. His introduction to these duties is being handled carefully and without hurry.

Halloween used to be about fake blood and panic buying. Now it’s another chance for the style crowd to flex. In 2025, celebrities didn’t just dress up; they directed their own mini fashion films. Between Los Angeles and London, the looks were cinematic, strategic, and surprisingly self-aware. Somewhere along the way, the spooky season turned into fashion’s most experimental night out.

Heidi Klum – Instagram

Heidi Klum once again delivered a masterclass in transformation, stepping out as Medusa in a look that merged mythology with design-level detail. Her sculpted headpiece of snakes and metallic scales gave the impression of a living statue, while her husband joined as a “stone warrior” to complete the concept. It was more performance than party, reminding everyone why Klum still owns Halloween.

Winnie Harlow – Instagram

Winnie Harlow reimagined Cleopatra through a modern lens. She swapped the expected gold gown for a sharper, structured version that balanced power with precision. The effect was contemporary and commanding, less historical recreation and more reinterpretation.

Paris Hilton – Instagram

Paris Hilton flipped the Barbie fantasy into something futuristic. Her crystal mini-dress and platinum wig pushed nostalgia into new territory. It was playful yet calculated, the kind of self-aware fashion moment Hilton has mastered over decades in the public eye.

Kourtney Kardashian and Travis Barker

Kourtney Kardashian and Travis Barker went all in on The Nightmare Before Christmas, taking inspiration from Jack and Sally. Kourtney’s stitched-effect makeup and shredded dress contrasted neatly with Travis’s monochrome styling. Together, they managed to make a well-known theme feel surprisingly fresh, more fashion story than costume gimmick.

Janelle Monae – Instagram

Janelle Monáe took a bold route with her take on Dr. Seuss’s Cat in the Hat. The tailored suit, tall hat, and crisp styling turned a children’s classic into something closer to a stage look. It was humorous, precise, and unmistakably her.

As the night wrapped up, it was clear that Halloween now sits comfortably on fashion’s calendar. The standout transformations weren’t defined by excess, but by clarity of concept and a distinct point of view. The focus had shifted from shock value to intention.

For a family rooted in tradition, the British monarchy is facing a modern test of accountability. King Charles III has taken one of the boldest steps of his reign, formally removing Prince Andrew’s remaining royal styles and privileges, and ordering him to vacate Royal Lodge, his long-time home near Windsor.

Buckingham Palace confirmed the decision in a brief statement: “His Majesty has today initiated a formal process to remove the Style, Titles and Honours of Prince Andrew. He will now be known as Andrew Mountbatten Windsor.” The announcement was restrained but historic. It ended months of quiet tension between the brothers and years of public debate over Andrew’s standing within the royal family.

The Royal Family – Instagram

The decision did not come as a surprise. The King has been under steady pressure to draw a clear line between working royals and those who have stepped away from duty. Andrew’s connection to the late Jeffrey Epstein and the civil lawsuit that followed, which he settled in 2022 without admitting liability, have continued to cast a long shadow. What began as a reputational issue has evolved into a constitutional question about how far royal privilege should extend when public confidence is at stake.

The move goes beyond ceremony. It strips Andrew of his HRH style, remaining honorary military titles, and patronages that had survived previous reviews. It also removes his right to reside at Royal Lodge, a property he has held under a long-term lease since the early 2000s. Palace sources say he is expected to relocate to accommodation on the Sandringham estate, though discussions continue.

The Royal Family – Instagram

Few monarchs in modern British history have disciplined a close family member so publicly. Even during periods of scandal, previous sovereigns tended to act discreetly. The King has instead chosen transparency. His approach signals a determination to modernise the monarchy and protect its image at a time when public sentiment, especially among younger Britons, leans toward greater scrutiny of royal privilege.

Legal experts note that not all of Andrew’s titles can be removed by royal decree. The Dukedom of York was created by letters patent issued by the Crown, and revoking it would require an Act of Parliament. That process would be politically sensitive and rare. For now, the King’s action represents a public and practical demotion rather than a legal dissolution of rank.

Prince Andrew – Instagram

Public reaction has been divided. Some view the decision as overdue accountability. Others see it as a tactical move to shield the institution from further criticism. Within royal circles, those close to the family suggest the King acted out of duty rather than personal animosity. His aim, they say, was to set boundaries, not to sever ties.

Andrew’s daughters, Princess Beatrice and Princess Eugenie, will keep their titles and continue with their public engagements. Both have maintained careful distance from their father’s controversies, focusing instead on their own charitable work. Palace aides insist their positions remain unaffected.

This moment may define the early character of King Charles’s reign. His mother, Queen Elizabeth II, managed family crises with discretion and quiet endurance. The King has shown a preference for decisiveness, even when it risks discomfort. His handling of this issue reflects a monarchy adapting to new expectations about accountability and public transparency.

Prince Andrew – Instagram

It remains uncertain whether Parliament will move to formalise Andrew’s loss of titles. What is clear is that the King has drawn a line that few of his predecessors dared to make public. Royal life, once protected by silence and tradition, now operates under a sharper light.

For Prince Andrew, this marks the closing of a chapter that began in privilege and ends in retreat. For the Crown, it may be the start of a new kind of monarchy, one where reputation and responsibility carry equal weight.