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The World of Fashion Says Goodbye to Valentino Garavani in Rome

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In the heart of Rome, the Basilica of Santa Maria degli Angeli e dei Martiri was filled with figures from fashion, media and culture, all there to bid farewell to Italian designer Valentino Garavani. His influence, felt across generations of designers and collaborators, was reflected in every attentive moment of the service.

Valentino, who died on January 19 at the age of 93, had a career that spanned decades and continents. The service, held at 11 am near Piazza della Repubblica, brought together figures connected to his work at different stages of his career, highlighting a designer whose impact continued to resonate even after his retirement.

Anne Hathaway – Getty Images

Inside the basilica, the setting was restrained. The coffin was surrounded by white flowers, and music selections such as Mozart’s Lacrimosa and traditional Ave Maria compositions added solemnity without dominating the service.

Attendees included Hollywood actress Anne Hathaway and her husband Adam Shulman, fashion figures Donatella Versace and Tom Ford, and Vogue editor Anna Wintour. Also present were Valentino creative director Alessandro Michele and former creative directors Pierpaolo Piccioli and Maria Grazia Chiuri, alongside other designers and cultural names who had worked with or admired the designer over the years.

Vernon Bruce Hoeksema – Getty Images

Many had worked with Valentino on couture commissions, fashion editorials or other projects, and the presence of multiple generations reflected the reach of his work.

During the liturgy, Vernon Bruce Hoeksema, Valentino’s longtime partner, addressed the congregation with a brief message of thanks to those who had shared in the designer’s life and work. The priest noted Valentino’s contribution to fashion as an art form, highlighting the enduring influence of his designs.

Photo Credit – Instagram

Elements of Valentino’s approach to design continue to shape the fashion industry. His attention to detail, signature tones and methodical approach to luxury fashion remain reference points for designers and fashion houses today. Over his career, he dressed royalty, heads of state and leading figures from film and culture, while maintaining a clear identity for his fashion house across decades.

Photo Credit – Instagram

After the service, Valentino’s coffin was escorted to the Flaminio Cemetery in Rome. The Valentino house has confirmed that its Spring/Summer 2026 collection will proceed in Paris, signalling continuity for the brand following his passing.

The farewell in Rome was measured and formal, giving attendees an opportunity to reflect on a career that spanned more than fifty years and continues to influence fashion and culture today.

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King Charles, Prince William and Princess Kate Lead Royal Family at Commonwealth Day Service

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Commonwealth Day brought senior members of the British royal family together at Westminster Abbey, with King Charles III leading the service alongside Prince William and Catherine, Princess of Wales. The ceremony remains one of the most important annual events involving the monarchy and representatives from across the Commonwealth.

Members of the royal family arrived in sequence at Westminster Abbey, including Queen Camilla, Anne, Princess Royal and other working royals. The service traditionally brings together political leaders, diplomats, youth representatives and community figures from the Commonwealth’s 56 member states.

Photo – Instagram

Prince William and Catherine were among the first senior royals to arrive, greeting guests and other family members before the King’s entrance. When the monarch entered the Abbey with Queen Camilla, members of the royal family followed customary protocol by bowing or curtsying to the King.

During the service, King Charles delivered a message reflecting on the role of the Commonwealth in addressing shared global concerns. His remarks highlighted cooperation between member states and emphasised the value of partnerships across regions with different cultures, economies and political systems.

Photo – Instagram

Prince Andrew, the Duke of York, did not attend the Commonwealth Day service. He stepped back from public duties in 2019 and has since limited his involvement in royal engagements. The royal family has maintained this arrangement following controversies related to his past association with financier Jeffrey Epstein, and he no longer represents the monarchy at official events.

Outside the Abbey, crowds gathered to watch the royal arrivals, a common feature of major royal ceremonies in London. The annual service often draws attention because it places the monarch and senior members of the royal family at the centre of one of the institution’s most visible international engagements.

Photo – Instagram

The focus of the ceremony instead remained on the King and the next generation of senior working royals. Prince William and Catherine have taken on a more visible role in Commonwealth-related engagements in recent years, reflecting their growing responsibilities within the institution.

Observed annually since the 1970s, Commonwealth Day highlights cooperation among countries connected through the Commonwealth network. The service at Westminster Abbey combines religious readings, music and speeches that reflect the cultures and traditions of member nations.

For the royal family, the gathering also serves as a public demonstration of continuity. With senior working royals present and performing ceremonial roles, the event underscored how the monarchy continues to place emphasis on its international relationships through the Commonwealth.

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Meghan Markle & Prince Harry Arrive in Jordan for Humanitarian Mission

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On Wednesday morning, Meghan Markle and Prince Harry landed in Jordan for a two-day humanitarian mission focused on health and refugee support work led by aid organisations. The trip, announced one day before their arrival, is being carried out in partnership with the World Health Organization (WHO) and key humanitarian partners.

Their itinerary centres on direct meetings with displaced communities and frontline aid providers addressing ongoing crises in the Middle East.

Photo – Instagram

The Sussexes began their visit with meetings and field visits across two main areas of focus.

At Za’atari Refugee Camp, one of the world’s largest refugee settlements hosting tens of thousands of Syrians displaced by conflict, Harry and Meghan met young people involved in mental health and community programmes. They joined activities including football and arts sessions designed for children displaced by conflict.

In Amman, at a specialist hospital, the couple met children medically evacuated from conflict zones, including the Gaza Strip. Discussions with staff and families highlighted the medical and logistical challenges involved in transferring and treating young patients from active conflict areas.

Photo – Instagram

They also attended a roundtable with WHO leadership, UN agency representatives and health officials to discuss mental health provision and healthcare access for displaced populations.

This visit marks the Sussexes’ first major international trip in more than a year. The focus of the programme is humanitarian, supporting organisations working on health crises and displacement in the region.

Photo – Instagram

Jordan plays a central role in regional humanitarian response. It hosts refugee communities from multiple conflicts and serves as a hub for medical evacuations and relief operations coordinated by international agencies.

The mission centres on direct interaction with affected communities and aid leaders, with attention on the daily realities facing displaced families, from refugees in Za’atari to children receiving treatment in Amman.

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Idris Elba Teams Up with King Charles for Inspiring Netflix Doc

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The partnership between Idris Elba and King Charles III for a new Netflix documentary focuses on the long-term effects of targeted support on young people’s lives. At the centre of the film is The King’s Trust, the charity he founded in 1976, and Elba’s own history with the organisation becomes central to the story rather than a side note.

Elba has spoken openly about receiving financial assistance from the Trust as a young man trying to enter the performing arts. That intervention did not create talent, but it removed barriers at a critical moment. The documentary uses that experience as a starting point for examining how early institutional backing can change career paths. Instead of presenting a royal retrospective or a celebrity biography, the film is structured around case studies: people whose careers, businesses and education paths were shaped by access to funding, mentorship and training.

Photo Credit: The Royal Family Instagram

Photo Credit: The Royal Family Instagram

The King’s Trust was created during a period of economic uncertainty in Britain, when youth unemployment was rising and traditional industries were shrinking. King Charles redirected money from his naval severance pay to start a small initiative aimed at helping disadvantaged young people gain skills and confidence. Nearly five decades later, the charity operates at a scale that reaches hundreds of thousands across multiple countries. The documentary tracks that growth without focusing on ceremony. The emphasis stays on outcomes: businesses launched, qualifications earned and changes in participants’ confidence.

Photo Credit: The Royal Family Instagram

Elba’s role extends beyond narration. He acts as a guide meeting current beneficiaries and revisiting the mechanics that once supported him. His presence adds credibility. He is not positioned as a distant success story, but as evidence of what can happen when systems work as intended. The film returns to the gap between ability and opportunity, asking how many capable young people remain stalled when support is unavailable.

The decision to work with Netflix is deliberate. A global streaming platform presents the story as a discussion about funding opportunities for young people rather than a narrowly British charity profile. Many countries face similar challenges: underemployment, unequal access to training and shrinking entry points into creative and technical industries. By placing the Trust’s work within that wider context, the film invites viewers to see it as a working model rather than an isolated success.

Photo Credit: The Royal Family Instagram

The documentary also addresses the limits of charitable structures alongside their achievements. Funding gaps, bureaucratic hurdles and the difficulty of scaling personalised support are part of the discussion. That balance prevents the project from becoming promotional material and instead examines what effective social investment requires. At its core, the film argues that opportunity depends on practical systems built through money, infrastructure, mentorship and timing. If the documentary resonates, it will be discussed less as a royal collaboration and more as a case study in how structured support can convert talent into tangible futures.

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