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Antonin Tron Named Balmain’s New Creative Director

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Balmain is entering a new season under Antonin Tron, the 41-year-old designer behind Parisian label Atlein. Tron takes the reins as Creative Director following Olivier Rousteing’s 14-year leadership, which turned the house into a major force in global luxury fashion.

Rousteing’s celebrity-driven vision leaves a high benchmark, and all eyes are on Tron to see how he will carry the brand forward. Tron comes with an impressive résumé, having sharpened his skills at Louis Vuitton, Givenchy, Balenciaga, and Saint Laurent before launching Atlein in 2016, known for his elegant draping, sculptural silhouettes, and precise manipulation of fabric, Tron blends couture-level craftsmanship with modern sensibilities, he trained at the Royal Academy of Fine Arts in Antwerp, at Atlein, Tron earned praise for designs that were elegant, wearable, and celebrated the female form, with his own label on hold, he is fully focused on leading Balmain into its next chapter, bringing his vision and craft to one of fashion’s most storied houses.

Antonin Tron: Instagram

Tron has openly admired Balmain’s storied history, calling it a brand rooted in “savoir-faire, culture, sensuality, and elegance.” He plans to honor that legacy while injecting his own contemporary perspective, designing pieces that resonate with the modern woman and reflect her identity, style, and confidence. “Having access to Balmain’s ateliers and expert craftspeople is incredible,” Tron said, noting the creative freedom the house affords.

Balmain CEO Matteo Sgarbossa highlighted Tron’s expertise with fabrics and draping, noting that his approach aligns with Pierre Balmain’s original vision: that clothing is “the architecture of movement.”Mayhoola CEO Rachid Mohamed Rachid added that Tron’s thoughtful, craftsmanship-driven philosophy makes him an exciting leader for the brand’s future.

Antonin Tron: Instagram

Antonin Tron will unveil his first Balmain collection at Paris Fashion Week in March 2026 for the Fall/Winter season. Fashion insiders are curious to see how his sculptural, precise designs will blend with Balmain’s tailoring and couture spirit. Early impressions suggest a house ready to honor its past while embracing a forward-thinking, modern identity.

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Kate Moss & Emily Ratajkowski Are in Their Gucci Bag

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Photo Credit - Instagram

Gucci’s latest campaign focuses on a single message: the bag comes first. Everything else is reduced or removed, keeping attention on the product.

Fronted by Kate Moss and Emily Ratajkowski, the visuals centre on the house’s leather goods, with both women styled to remove distractions. In several images, they appear in lingerie or minimal clothing, holding oversized handbags placed at the centre of each shot. The bag is treated as the main object rather than an accessory, shaping how each image is read.

Emily Ratajkowski – Instagram

Shot by Mert Alas and Marcus Piggott, the campaign keeps its setting simple. There are no detailed backgrounds or layered concepts. The colours are muted, and the composition remains consistent across the series. This repetition keeps the focus on the handbags.

Structured totes and compact top-handle styles appear throughout, presented with minimal styling that highlights texture, hardware and scale. By limiting additional elements, Gucci places emphasis on craftsmanship and recognisable design codes instead of seasonal trends.

Kate Moss – Instagram

The casting is intentional. Moss brings a sense of familiarity, having long been associated with direct, minimal fashion imagery. She appears without heavy styling or added context, which aligns with the campaign’s approach. Ratajkowski, by contrast, reflects a more current media presence. Her visibility is closely tied to self-curation and digital culture, making her a relevant counterpart within the same visual structure.

The campaign also reflects Demna’s direction at Gucci, where attention has shifted towards clearly defined products. The focus on handbags, presented without distraction, points to a strategy that prioritises recognisable, marketable items.

Kate Moss – Instagram

The result is a campaign that avoids overstatement. It does not rely on complex themes or heavy styling. Instead, it presents a controlled set of images built around a single idea, repeated with consistency. For a UK audience familiar with more elaborate fashion narratives, this approach reads as considered and direct.

In practical terms, it reflects how luxury is currently marketed. Individual pieces are given space to carry brand identity on their own. Here, the emphasis is clear: the bag leads, and everything else follows.

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Victoria Beckham Touches Down in Paris With a £70,000 Outfit Ahead of Her Latest Fashion Week Show

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Photo Credit - Instagram

Victoria Beckham arrived in Paris ahead of her scheduled appearance at Paris Fashion Week, choosing an arrival look valued at about £70,000. The designer and former member of Spice Girls wore a structured travel outfit that reflected the tailored style associated with her ready-to-wear label.

The most notable accessory was a shearling-trimmed Kelly bag from Hermès. The limited-edition design was produced during the period when Jean Paul Gaultier worked with the brand in 2005. Vintage versions of the bag are known to command high resale prices, with estimates reaching around $80,000 depending on condition and authenticity.

Photo Credit: Instagram

Beckham paired a tomato-red rollneck top from her own collection with high-waisted beige flare trousers. The combination focused on clean tailoring and a streamlined shape, relying on colour contrast and precise cut. Oversized sunglasses and a gold wristwatch completed the look.

The appearance came days before her runway presentation in Paris, where attention is building around her latest collection. Public outings linked to fashion week often serve to highlight a designer’s brand identity ahead of the show, particularly when the designer is also the label’s creative director.

Photo Credit: Instagram

Interest in rare vintage luxury accessories continues to rise in contemporary fashion circles. Collectible handbags are frequently viewed as investment pieces as well as style items, with limited-run designs attracting strong secondary market demand.

Beckham’s Paris arrival reflects the commercial and editorial positioning common among modern designer brands, where travel appearances, show scheduling and personal styling are used to maintain momentum around seasonal collections. The outfit’s focus on tailoring, neutral structure and distinctive accessory choice aligns with the polished, wearable luxury associated with her brand.

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The Simplicity of London Fashion Week Street Style

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Photo - Deborahiona

London Fashion Week has long been a testing ground for ideas that feel grounded in real life. The street style this season reflected that sensibility. Instead of exaggerated designs or attention-seeking statements, the focus was on fabrication and practical layering. What stood out was not volume or shock value, but how confidently attendees combined heritage references with modern cuts, shaping outfits that worked for the city as much as for the cameras.

Photo: Getty Images

This season, classic British elements surfaced repeatedly, styled with updated balance in construction. Argyle knits were layered under oversized blazers and paired with relaxed trousers or structured skirts. Checked coats and kilts appeared throughout the week, grounded by practical footwear. Slouchy boots and polished flats replaced sculptural heels, keeping outfits visually coherent. Heritage fabrics were styled with contemporary cuts rather than retro references.

Photo: Getty Images

Outerwear shaped most looks across the week. Trench coats were worn loose over tailoring or cinched to define the waist. Leather jackets, both cropped and oversized, acted as central pieces rather than additions. Padded chore coats and structured wool overcoats were practical choices for February’s shifting temperatures. Matte leather, brushed wool and weatherproof finishes were layered together, introducing contrast while keeping the outfit clean and purposeful.

Photo: Getty Images

Print featured strongly but remained controlled. Zebra patterns were paired with neutral clothing pieces. Bold motifs were balanced with classic coats or straightforward denim. Even layered prints followed consistent colour themes. Coordinated colour choices kept combinations refined, with statement garments supported by clean tailoring or simple foundations.

Photo: Getty Images

Accessories were chosen with practicality in mind. Structured leather bags were favoured. Footwear leaned toward durability: sturdy boots, manageable heels and ballet flats suited long days between venues. Socks worn with heels referenced preppy styling while remaining practical. Belts and scarves were used to shape outfits rather than serve as decoration.

A recurring feature among standout outfits was consistency in styling. Tailoring was softened with knitwear. Structured pieces were offset with relaxed layers. Rather than chasing a single dominant trend, attendees leaned into combinations that reflected established personal style.

Photo: Getty Images

Compared with other fashion capitals, London presented a cohesive approach grounded in wearability. Outfits suited the city’s pace and climate, moving easily from show to meeting to evening event. Execution defined the strongest looks, with attention to construction and material choice.

That consistency remains a defining feature of London Fashion Week street style.

Photo: Getty Images

 

Photo: Getty Images

 

Photo – Deborahiona

 

Photo – Deborahiona

 

Photo: Getty

 

Photo: Getty

 

Photo: Getty

 

Photo: Getty

 

Photo: Getty

 

Photo: Getty

 

Photo: Getty

 

Photo: Getty

 

Photo: Getty

 

Photo: Getty

 

Photo: Getty

 

Photo: Getty

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