Day one of Paris Fashion Week opened with Saint Laurent’s Spring/Summer 2026 collection at the Trocadéro, the Eiffel Tower rising behind the venue. Designer Anthony Vaccarello delivered a lineup that leaned on sharp tailoring and a restrained colour range, but it was the front row that drove much of the conversation that evening.

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Madonna made a rare appearance with her daughter, Lourdes Leon. Both dressed in black, their coordinated choices emphasized their shared presence at the show, which in itself was notable given how seldom they attend fashion week together. Photographers captured them extensively before the lights dimmed, and their arrival set a clear reminder of Saint Laurent’s ability to bring together pop culture’s most recognizable names.

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Kate Moss offered her own version of simplicity. She wore a tailored blazer styled with sheer tights and heels, keeping her look aligned with the brand’s emphasis on structure and clean presentation. Moss has been closely linked to Saint Laurent for decades, and her appearance carried the weight of that history without needing excess detail.

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Hailey Bieber drew notice with a look that matched Vaccarello’s streamlined direction. She leaned into minimal styling, showing the kind of precise choices that have shaped her fashion presence. Her appearance underscored how closely her outfits are tracked, particularly by younger audiences who follow her every move.

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Christopher Briney added a newer name to the front row mix. Still in the early stages of his career, his invitation highlighted Saint Laurent’s approach to balancing established cultural figures with emerging talent from film and television. It was a reminder that the brand is not just looking backward to its heritage, but also engaging with the faces shaping current media.

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The evening’s guest list extended beyond those few names. Zoë Kravitz and Charli XCX were also present, offering another layer of relevance to the seating arrangement. Their involvement reinforced the idea that Saint Laurent continues to attract figures across music, film, and fashion in equal measure, strengthening its ties to multiple cultural spaces.

Altogether, the combination of Madonna, Lourdes Leon, Kate Moss, Hailey Bieber, Christopher Briney, and others placed the front row firmly in the spotlight. The runway delivered precise tailoring and a controlled colour story, but the star power seated around it made clear that Saint Laurent understands the cultural weight of who attends as much as what walks.

Donald Trump’s second state visit to Britain opened with the full force of royal ceremony. Hosted by King Charles III, the three-day trip made history as the first time an American president has been welcomed with a second state visit, a rare moment in royal protocol.

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The pageantry began at Windsor Castle, where the King and Queen received the President and First Lady Melania Trump with military honours. A carriage procession carried the couple through the castle grounds, flanked by cheering crowds and guards in scarlet tunics and bearskin hats. That evening, St George’s Hall set the stage for a formal banquet, where royals and dignitaries gathered beneath vaulted ceilings and golden detail.

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A solemn highlight followed at St George’s Chapel. There, Trump laid a wreath at the tomb of Queen Elizabeth II, honouring the late monarch who had first received him in 2019. The chapel, a backdrop for royal weddings and funerals, once again marked a defining moment in Britain’s story.

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The royal presence extended beyond Windsor. Side by side with Trump, the King and Queen observed an RAF flypast that brought together Britain’s Red Arrows and American F-35 jets, a rare joint display underscoring military ties between the two allies.

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For the monarchy, the visit was more than pageantry. State visits are among its most visible duties, showcasing continuity while strengthening international bonds. Extending a second invitation to a sitting American president underlined the depth of Britain’s relationship with the United States.

Beyond politics, the visit belonged to the royals. From the grandeur of banqueting halls to the quiet reverence of St George’s Chapel, Trump’s return placed the Crown at the heart of a moment that bound together ceremony, diplomacy and remembrance.

Queen Camilla made a memorable appearance at the Sky Bet Ebor Festival at York Racecourse. As Patron of the racecourse, she unveiled a plaque celebrating the Juddmonte International Stakes being named the World’s Best Race in 2024.

Style with Subtlety

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Camilla chose a delicate floral dress, paired with nude pumps. A Fedora-style hat with a neat bow completed the ensemble. Her jewellery combined personal and historic touches: diamond floral and pearl drop earrings, a four-row pearl choker with a round diamond clasp, a gold pendant engraved with her grandchildren’s initials, and the Minoru Brooch, an Edwardian piece commemorating King Edward VII’s Derby-winning horse.

Engaging with the Racing Community

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During her visit, Camilla met representatives from local charities supported by the racecourse and spoke with members of the Yorkshire racing community. She also observed the RAF Falcons display team perform a parachute jump over the course, adding a spectacular note to the day’s proceedings.

A Memorable Presence

Her appearance highlighted the monarchy’s support for equestrian sports and charitable initiatives. By the end of the day, Camilla combined poise with approachability, leaving a lasting impression at one of the UK’s most celebrated racing events.