Meghan Markle and Prince Harry were seen at Dodger Stadium on Tuesday night for Game 4 of the World Series between the Los Angeles Dodgers and the Toronto Blue Jays. It was one of their few public outings this season, and it quickly caught the eye of fans and fashion writers.

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The Duchess of Sussex wore a crisp white button-down shirt, dark jeans, and a navy sweater loosely resting on her shoulders. She paired the outfit with ankle boots and a Dodgers cap, a nod to both the home team and her Los Angeles roots. Prince Harry matched her relaxed look in a white T-shirt under a navy blazer, beige chinos, and a team cap.

Sitting close to the field, the couple looked at ease as they watched the game, their coordinated outfits photographed and shared across social media within minutes.

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Fashion editors noted how Meghan’s outfit recalled what she wore in 2017 at the Invictus Games in Toronto. That was her first public appearance with Prince Harry. At the time, she chose a white “Husband Shirt” by Misha Nonoo, distressed jeans by Mother, and flats by Sarah Flint.

That Toronto moment marked an early step in their public story and set a relaxed style formula Meghan has returned to since. The white shirt and jeans pairing remains one of her most consistent choices for informal daytime events.

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At Dodger Stadium, she stayed true to that look, choosing pieces that balanced smart dressing with the easy mood of a sporting night. Her outfit recalled the earlier version from eight years ago, updated with darker denim and a sharper fit.

The couple’s attendance at the World Series followed several recent appearances in California, including charity and entertainment events across Los Angeles.

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While the Dodgers secured the win, Meghan’s look became its own talking point. It was featured across leading fashion pages and social feeds.

Publications including Vogue, Elle, and People highlighted how her choice revisited the look she first wore publicly with Harry, a simple, well-cut combination that continues to define her laid-back style.

Prince Andrew has reportedly made clear that he will leave Royal Lodge only if he and Sarah Ferguson are each given separate homes within the Windsor estate. The request, reported by several outlets including The Times, People, and The Guardian, comes amid continuing talks about the Duke of York’s long lease on the 30-room property in Windsor Great Park.

Royal Lodge, Andrew’s home since 2003, has been under increasing scrutiny in recent years. The Duke secured a long-term lease from the Crown Estate and is said to pay a nominal rent in return for covering the cost of maintenance and renovations. The arrangement, while legally valid, has become a point of public debate given Andrew’s reduced royal role and ongoing questions about the cost of royal residences.

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According to multiple reports, the Duke has suggested that he and his ex-wife, who continues to live with him at Royal Lodge, would each move to a different Windsor property. The two homes mentioned in the coverage are Frogmore Cottage, formerly occupied by the Duke and Duchess of Sussex, and Adelaide Cottage, currently the residence of the Prince and Princess of Wales. Palace officials have not confirmed the discussions or the specific properties involved.

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Negotiations over Royal Lodge have been ongoing since early 2023, when it was first reported that King Charles wanted to streamline the use of royal residences and reduce associated costs. The issue has been complicated by the Duke’s lease, which runs until 2078, giving him considerable legal standing to remain in the house.

People close to the discussions, quoted by UK media, say the goal is to find a practical solution that respects the lease while addressing the public criticism surrounding it. Any relocation would require coordination between the Crown Estate, the Royal Household, and security teams responsible for royal properties in Windsor.

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Officials are said to be cautious about setting a precedent for royal property negotiations. The Duke’s request for two homes, one for himself and one for Ferguson, adds another layer to an already delicate discussion about fairness, funding, and the balance between personal and institutional responsibility.

For now, there has been no official response from Buckingham Palace or the Crown Estate. The Duke remains at Royal Lodge, and no timeline for a move has been confirmed. What is clear is that the question of who lives where within the Windsor estate remains a live issue. It is a subject that blends family, finance, and the future image of the modern monarchy.

Meghan Markle has stepped deeper into the world of high fashion this month, appearing at Balenciaga’s Paris show and later in a Giorgio Armani suit on the New York gala circuit. The two outings, one marking Pierpaolo Piccioli’s debut at Balenciaga, the other for the Project Healthy Minds gala, point to a deliberate shift. Markle is carefully reasserting her presence among top designers, favouring pieces that feel purposeful rather than performative.

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At Balenciaga, she arrived in a custom white draped shirt and trouser ensemble, followed by a second black look, both made to measure and designed by Piccioli. The outfits emphasised tailored, structured lines that project quiet authority, reflecting her preference for clothing that is sophisticated without being ostentatious.

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A few days later in New York, Markle wore a black Giorgio Armani suit to the Project Healthy Minds gala. Clean lines and a pared back neckline highlighted form and posture rather than embellishment, presenting a minimalist look that balanced presence with restraint.

Her appearances have sparked discussion. Piccioli’s comments that she “reached out” to attend the show attracted attention, while some critics referenced Balenciaga’s past controversies. Markle’s team framed the outings as personal and collaborative, showing that in fashion, public perception rarely aligns perfectly with intent.

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What sets Markle apart from typical celebrity appearances is her selectivity. She does not attend every major runway; she chooses moments that hold personal or professional significance, whether it is working with a designer she respects or attending a gala tied to a cause she supports. By being selective, the focus shifts from the clothes themselves to the reasoning behind them.

Stylistically, her recent looks share clear traits: tailored proportions, muted tones, and carefully structured drape. Both the Balenciaga ensembles and the Armani suit prioritised line and form over logos or fleeting trends. Editors see this as a mature fashion identity, consistent yet distinctive, while audiences notice influence exercised through thoughtful choices rather than spectacle.

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These appearances also have tangible impact. High profile outings in headline houses generate conversation about design and context. For Markle, this approach allows her to manage the narrative: deliberate, collaborative, and anchored in relationships within the fashion industry.

While scrutiny remains, particularly regarding Balenciaga’s past issues, the combination of Paris and New York appearances illustrates a clear pattern: selective, considered, and consistent public presence.

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Markle’s current approach demonstrates that extending influence in fashion is about steady, curated visibility, not theatrics. In a world dominated by attention seeking celebrity dressing, her choices emphasise subtlety, authority, and a clear personal style that resonates internationally.